Villa Platia is conceived as a dwelling that belongs to its landscape. It sits on a south-facing slope above the Libyan Sea, emerging from the rock as a sequence of walls and courtyards. The architecture is minimal and monolithic — a composition of stone, lime, and glass — open to the horizon yet anchored to the terrain. Each space is defined by light: morning light washing the courtyard, evening light filtering through deep reveals. Interiors are restrained and warm, blending built-in elements with local oak, brushed metal, and white limewash. The villa is both shelter and frame — a dialogue between structure, landscape, and silence.